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Jorge Elbrecht - Presentable Corpse 001 "Don't End Up Alone" 7"
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Limited Edition of 303 grey and black haze 7" vinyl
(includes digital download card - mp3 and WAV files)
SIDE A
1. Don't End Up Alone (3:30)
1. Don't End Up Alone (3:30)
SIDE B
1. Through Waves Of Fog (3:25)
Presentable Corpse - 001 is the first release of a new guitar pop project helmed by Jorge Elbrecht (Lansing-Dreiden, Ariel Pink, Violens). Described by Elbrecht as “music created from the perspective of a deceased songwriter” the tracks are simultaneously light and eerie, percussive acoustic guitar strums layered over church organs and choir-like harmonies. It's perhaps a stylistic turn back toward Violens’ “True,” following his co-write on Ariel Pink’s Pom Pom (“Put Your Number In My Phone”) and a 7” from his thrash project Coral Cross. The first track “Don’t End Up Alone” leaps forward with a strobe-like snare fill and acoustic stabs, recalling 60s bands like Agincourt or The Birds. The song then darts back and forth between sections impatiently, utilizing a production and mix treatment which is true only to past decades. B-side “Waves of Fog“ follows more of a pop song format, with a chorus that dives into surf guitar lines and lightly sung vocals. Josh DaCosta’s (Regal Degal) drumming feels energetic and effortless under the yellow fog of reverb and echo.
1. Through Waves Of Fog (3:25)
Presentable Corpse - 001 is the first release of a new guitar pop project helmed by Jorge Elbrecht (Lansing-Dreiden, Ariel Pink, Violens). Described by Elbrecht as “music created from the perspective of a deceased songwriter” the tracks are simultaneously light and eerie, percussive acoustic guitar strums layered over church organs and choir-like harmonies. It's perhaps a stylistic turn back toward Violens’ “True,” following his co-write on Ariel Pink’s Pom Pom (“Put Your Number In My Phone”) and a 7” from his thrash project Coral Cross. The first track “Don’t End Up Alone” leaps forward with a strobe-like snare fill and acoustic stabs, recalling 60s bands like Agincourt or The Birds. The song then darts back and forth between sections impatiently, utilizing a production and mix treatment which is true only to past decades. B-side “Waves of Fog“ follows more of a pop song format, with a chorus that dives into surf guitar lines and lightly sung vocals. Josh DaCosta’s (Regal Degal) drumming feels energetic and effortless under the yellow fog of reverb and echo.
